Whereas there could also be solely two days till Lily-Rose Depp makes her career-changing debut as Jocelyn on The Idol, she’s nonetheless dedicated to that different factor she’s identified finest for: carrying archival trend. Switching out her Chanel-filled wardrobe from Cannes, the 24-year-old actress wore a uncommon Jean Paul Gaultier mesh set on Thursday.
The matching crop prime and maxi skirt are, seemingly, a riff of comparable items from the French model’s spring/summer time 2000 and fall/winter 1998 collections. Whereas Depp’s limited-edition items didn’t seem on both season’s runway, the set runs for round $2,000 on varied second hand retailers. Sure, Gaultier’s classic mesh items value a fairly penny, however nonetheless, that’s fairly steep.
Along with Depp’s set, there are additionally restricted runs of a mini gown and lengthy sleeve shirt with related prints—however it appears her crop prime and maxi skirt are offered out, Lily is that you simply? The pastel print (which is Gaultier’s homage to Mexican artist Frida Kahlo) options an angelic tub scene depicted in inexperienced, pink, and blue hues. Depp rounded out the look with silver wraparound sun shades.
This is not the primary time Depp has worn classic items from the French model, both. In a 2020 Instagram snap, she wore one other uncommon discover—this time a fall/winter 1996 mesh striped prime that she paired with a leather-based jacket, mini skirt, and boots.
Gaultier’s printed mesh items from the ‘90s and early 2000s have turn into covetable collectible gadgets amongst trend’s in-the-know crowd. Just lately, the French model has reissued collection of their hottest types from the earlier a long time. They’ve been a success amongst celebrities, having since been worn by Kendall Jenner, Dua Lipa, and even Unhealthy Bunny.
Depp most just lately attended the premiere of The Idol on the Cannes Movie Pageant final week. She stars alongside Abel “The Weeknd” Tesfaye within the highly-anticipated collection, which already has acquired a slew of attention-grabbing (and, at occasions, harsh) opinions amongst critics.
“I considered film stars of the ’40s, like Lauren Bacall and Gene Tierney,” Depp mentioned of her upcoming function. “They didn’t stroll right into a room and descend to anyone else’s degree to try to make them really feel snug. They nearly had this confidence within the discomfort that they may provoke in folks. A factor of, ‘That is who I’m, and I’m not going to vary.’”